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By 43rumors, on February 17th, 2011%
 Image courtesy: Photoscala.de Ok Zeiss, Schneider and Cosina will make Micro Four Thirds lenses but there is also one more small company that will join the group. At photokina 2010 the japanese company Elicar showed that 4,5-6,3/300-600 Micr Four Thirds lens prototype. So what happened since then? Did you got some news about when the lens will be available? Elicar already made lenses for Olympus OM, Canon FL and Minolta mount. You can see a list of lenses at eBay (Click here) . . . . → Read More: When will Elicar release that lens?
By 43rumors, on February 9th, 2011%
 Olympus announced they will show the mockup of a “high-end” M.Zuiko Micro Four Thirds prime lens at the CP+ 2011 show (which starts today). That’s the way Oly wants to celebrate the 75 years of Zuiko-branded lenses! There are no details about the lens focal length or aperture but they said it will be available in 2011. This is part of the press release: ABOUT THE ZUIKO BRAND It was in 1936 that the Takachiho Corporation, forerunner of today’s Olympus Optical Co., Ltd., introduced its first camera, the Semi-Olympus I. The camera’s lens was given the name Zuiko, a Japanese word that means “light of the gods.” It was an auspicious name, chosen partially because the lens had been developed at the Mizuho Optical Research Laboratory and partially because the corporate name, Takachiho, is a Japanese word that means “mountain of the gods.” But more than the name, it was the quality of the lens that sparked conversation at the time. Ever since, Zuiko lenses have been featured on succeeding generations of Olympus cameras. The Zuiko lenses are widely acclaimed for their remarkable imaging power, and have become one of the world’s most respected high-performance lens brands. Semi-Olympus I (1936) Launched in 1936, the Semi-Olympus I was the first Olympus camera fitted with the newly developed Zuiko lens, which was mounted on a Semi-Proud body supplied by Proud. The lens looks nice but I want it for real and now . . . → Read More: New M.Zuiko high-end Micro Four Thirds lens mockup!
By Digital Photography School, on February 8th, 2011%
 Digital Cameras present photographers with an ever increasing array of Automatic and Semi Automatic shooting modes. Most of these center around different ways of exposing your shots – however many cameras also give options for different focusing modes (auto, continuous focusing for moving subjects and manual). It’s no wonder then that many photographers never make use of their camera and lens’ ability to focus manually. In fact this week I spoke with one DSLR owner recently who hadn’t even noticed the manual/auto focus switch on the side of his lens. Image by dsevilla When is Manual Focus Better than Auto Focus? Let me start by saying there is no right or wrong time to use either manual or auto focusing – both can produce great results in almost all circumstances – however there are a few times when you might find it easier to switch to manual focusing: 1. Macro Work When doing macro photography I almost exclusively switch to manual focusing. The narrow depth of field in these shots mean that you need to be incredibly precise with focusing and being just a smidgeon out or having your camera choose to focus on the wrong part of your subject can completely ruin a shot. To use it you’ll also probably want to use a tripod to eliminate any movement of the camera which can make focusing either in manual or auto mode frustrating. Manual focusing puts the control completely in your hands when shooting in this very precise setting. Image by maruchan313 2. Low Light Shooting in dimly lit environments can be difficult for some cameras and lenses when it comes to focusing. You’ll know when your camera is struggling in Auto mode when every time you go to take a shot the lens will whirl from one end of it’s focusing options to the other and back again before deciding on where to focus. This can really lengthen your shooting process and make taking quick candid shots quite frustrating. Switch to manual mode and you can quickly find your focusing point and get the shot you’re after. Image by Jim Skea 3. Portraits When shooting portraits focus needs to be precise. The majority of your shots of people will need to have their eyes in perfect focus (although in the example to the left it’s the lips) and so switching to manual focus will give you complete control to enable this to save you from having to line up the focusing points on your camera on the eyes, press halfway down and then frame your shot. Manual focusing in portrait work helps to ensure the viewer of the image is drawn to the part of the face that you want them to notice. Image by Djof 4. Shooting Through Glass/Wire Fences If you’ve ever shot through anything like a window or a mess/wire fence you’ll know how cameras will often get confused on where to focus your shot. Whether it’s shooting out of a plane window, taking a shot of an image at a museum or photographing animals through fences at the zoo – you might find your camera is confused. Manual focusing will avoid this completely and allow you to get things just right – focusing upon the subject behind that glass or fence. If you do this in conjunction with a large aperture (which decreases depth of field) and get in close to the fence or glass you might well eliminate it completely from being noticeable in your shot. Image by Gregory Lee 5. Action Photography Shooting fast moving subjects (like racing cars, planes, bikes, running animals etc) can be a frustrating experience when shooting with auto focus. Even the continuous focusing modes can get left behind or confusing if you’re not panning with your subject smoothly. One way to overcome this is to switch to manual focusing and pre focus on a point that the subject will move through – and shooting at that point. You need to get your timing just right – but you’ll find that it’ll often give better results than relying upon auto focus modes (particularly if you shoot in continuous shooting/burst mode). Image by fensterbme Homework Shooting in manual focus mode is a skill that you need to learn and practice. While you will have more time to get it right when shooting still objects – it can become more difficult when shooting moving subjects – so practice. This week set aside an hour or two with your camera to shoot only in manual focus mode. Practice on a variety of subjects including some moving ones. While your practice session might not produce great results the skill that you learn will be useful to have. Post from: Digital Photography School – Photography Tips . Check out our resources on Portrait Photography Tips , Travel Photography Tips and Understanding Digital Cameras . 5 Situations When Manual Focus is Better than Auto Focus . . . → Read More: 5 Situations When Manual Focus is Better than Auto Focus
By Image Acquire, on February 8th, 2011%
I’m sure that there are a lot of you out there that cannot stand the bigness of the DSLR camera, and you might find that the lens of the future will be much smaller. Some scientists from the University of Illinois and Northwestern are working on a camera with … . . . → Read More: Your future camera lens could be modeled after the human eye
By DPreview, on February 7th, 2011%
CP+ 2011: Canon has announced it is developing the EF 200-400mm f/4L IS USM Extender 1.4x lens, which features a built-in switchable 1.4x teleconverter. With the converter engages, it becomes a 280-560mm F5.6 lens. Designed for sports and wildlife photographers the lens will feature weatherproof construction and is scheduled for launch later this year. . . . → Read More: Canon develops EF 200-400mm f/4L IS USM Extender1.4x
By Digital Photography School, on February 6th, 2011%
 Simple is not always simpler! I knew little about this piece of technology (the Panasonic HM-TA1. ) before I laid eyes and hands on the actual gear itself so, in my usual gung ho approach, I tapped the little power button, pressed a few appropriate buttons and shot some movies and stills. Did I get what I wanted? Not exactly. But after a five minute read of the instruction book I wrapped my tiny mind around how it actually works. Panasonic HM-TA1 Features The Lumix TA1 is really quite simple to use and very powerful in what it can do: it’s sized like a mobile phone; it captures 3264 . . . → Read More: Panasonic HM-TA1 Multimedia Digital Camera [REVIEW]
By Image Acquire, on February 3rd, 2011%
Sony has filed for a very interesting patent for ultra slim cameras: when the cover is moved to reveal the lens, it folds in such way that it forms a grip — which is genius, to say the least, because it’s already quite difficult to hold slim cameras when shooting. … . . . → Read More: Sony’s new patent adds grip to slim cameras
By 43rumors, on February 3rd, 2011%
SLRgear published their Panasonic 14mm f/2.5 test. The lens is very sharp, Chromatic Aberration is somewhat high for this lens, Vignetting and Distortion are negligible. And their conclusion is very short: “ With sharp results and only slight issues with CA, Panasonic has produced a very nice walk-around lens “. Read the full review (with image samples and graphs) at SLRgear. M43photo.blogspot compared the Panasonic 20mm with the new 14mm lens. Check the price and availabiltiy of the lens: USA: Amazon , Adorama , BHphoto , eBay Germany: Amazon.de , Pixmania.de , eBay.de France: Amazon.fr , Pixmania.fr , eBay.fr UK: Amazon.uk , Pixmania.uk , eBay.uk . . . → Read More: Panasonic 14mm f/2.5 lens tested at SLRgear.
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