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By Photography Blog, on May 1st, 2012%
While the Sony NEX mirrorless camera system offers a number of excellent bodies, most notably the NEX-7 and NEX-5N, the lens range is a little more threadbare in terms of quality optics. The Sony Carl Zeiss Sonnar T* E 24mm f/1.8 ZA is an obvious exception to this rule, offering a versatile focal length of 36mm and a fast maximum aperture. But is it a must-have lens for every NEX owner? Check out our Sony Carl Zeiss Sonnar T* E 24mm f/1.8 ZA review to find out… Read the review . . . → Read More: Sony Carl Zeiss Sonnar T* E 24mm f/1.8 ZA Review
By Photography Blog, on April 24th, 2012%
Nikon has issued an important announcement regarding the EN-EL15 battery used in the Nikon D7000, D800, D800E and Nikon 1 V1 cameras. Read more and comment . . . → Read More: Nikon Recalls Some EN-EL15 Batteries
By Photography Blog, on March 20th, 2012%
The World Photography Organisation (WPO) has announced the Open and Youth category winners in the 2012 Sony World Photography Awards. Read more and comment . . . → Read More: Sony World Photography Awards 2012 Open & Youth Category Winners Announced
By DPreview, on February 28th, 2012%
Sony has launched four GPS-enabled 18MP CMOS zoom compacts, ranging from the 16x DSC-HX10V all the way up to the 30x DSC-HX200V. The DSS-HX20V adds a 20x zoom to the 10V’s specs and the HX30V gains WiFi on top of that. All four CMOS cameras offer nine creative processing filters and latest fast AF which the company says will focus in as little as 0.1sec and 0.2sec in low light, they also have high-res 920,000 dot LCDs. There’s also a less-expensive 16MP CCD 16X zoom model, the DSC-H90. All of the cameras feature at least 27mm equivalent wide-angle lenses. . . . → Read More: Sony launches five zoom compacts, including HX30V 20x WiFi compact superzoom
By Photography Blog, on February 24th, 2012%
PaintShop Pro X4 is the latest edition of Corel’s affordable photo-editing suite. With over 75 new and enhanced features designed explicitly to meet the needs of today’s photographers, is X4 the best version of PaintShop Pro yet? Matt Grayson finds out in our Corel PaintShop Pro X4 review. Read the review . . . → Read More: Corel PaintShop Pro X4 Review
By Photography Blog, on February 23rd, 2012%
We have two great SLR camera bags to give-away, courtesy of Lovecases.co.uk. Read more and comment . . . → Read More: Win an SLR Camera Backpack!
By Photography Blog, on February 17th, 2012%
Manfrotto School of Xcellence will be present at the Focus On Imaging trade show, offering inspiring and informative talks and the chance to meet some of the UK’s top photographers. Read more and comment . . . → Read More: Manfrotto School of Xcellence at Focus On Imaging
By Photography Blog, on January 16th, 2012%
Redeye, a photography network based in Manchester, is launching an annual bursary with leading professional photographic printer Rob Sara. Read more and comment . . . → Read More: Redeye Launches Bursary Prize with Rob Sara
By Photography Blog, on January 3rd, 2012%
Iridient Digital has released RAW Developer 1.9.4 for MacOS X. Read more and comment . . . → Read More: Iridient RAW Developer 1.9.4 for Mac
By PC World, on December 31st, 2011%
Nikon’s COOLPIX S8200 Digital Camera puts ease-of-use and a 16.1 megapixel CMOS sensor at your fingertips. This marriage of simplicity and an impressive number of pixels gives you multiple options when it comes to documenting the moments of your life. From carrying the camera everywhere you go, so you’re ready when the moment strikes, to capturing incredibly detailed images that are ready to be turned into mural-sized works of art, the S8200 gives you the best of both worlds. . . . → Read More: Coolpix S8200 Black Digital Camera – Lowest Price: $246.95
By DPreview, on November 4th, 2011%
Alongside the EOS C300, Canon has launched seven EF Cinema lens series, all of which carry a new ‘CN-E’ designation. Two zooms, a 14.5-60mm T2.6 L and 30-300mm T2.95-3. 7 L, will each be available in EF and PL mounts and be compatible with both Super 35mm-equivalent and APS-C cameras. Meanwhile the 24mm T1.5L, 50mm T1.3L and 85mm T1.3L primes will come in EF mount and be compatible with all sensor sizes up to 35mm full frame. All of the lenses feature manual focus and aperture control, and include an 11-blade aperture diaphragm for attractive defocus effects. . . . → Read More: Canon announces seven EF Cinema lenses
By Photography Blog, on September 15th, 2011%
The Ricoh GR DIGITAL IV is a new high-end compact camera with a fixed focal length lens. Read more and comment . . . → Read More: Ricoh GR DIGITAL IV
By Photography Blog, on August 4th, 2011%
Responding to popular demand, Tenba has added a Photo/Laptop Daypack and Photo/Tablet Daypack to their Discovery collection, and a Photo/Laptop Daypack and Photo Sling Bag to their Vector collection. Read more and comment . . . → Read More: Tenba Expands Discovery and Vector Collections
By Photography Blog, on July 8th, 2011%
Sigma Japan has announced a new Sigma SD15 Twin Zoom Kit, available from 15th July. Read more and comment . . . → Read More: Sigma SD15 Twin Zoom Kit
By Photography Blog, on June 15th, 2011%
The Toshiba Camileo B10 and Camileo P100 Full HD digital video cameras, announced back in April, are now available in the US. Read more and comment . . . → Read More: Toshiba Camileo B10 and P100 Hit Stores in US
By Photography Blog, on April 14th, 2011%
The new Cinevate Atlas FLT is a lightweight camera slider for video-enabled digital SLR cameras. Read more and comment . . . → Read More: Cinevate Atlas FLT
By Steve Digicam, on April 5th, 2011%
 Sony’s SLT-A33 , which was announced back in August of 2010, has been discontinued. According to the Japanese Sony site, the camera has completed its full production run. The news is a bit shocking, as the A33 hasn’t had much time to prove itself. Still, with the Nab Show happening this weekend, rumors of new cameras announcements abound. With the A33 ending its run, this seems like the perfect time for the A35 to debut. You can read the Sony page (though you’ll need to translate it) to find out a bit more. (via Photography Blog ) . . . → Read More: Sony Discontinues the SLT-A33
By Wired, on April 5th, 2011%
> > View all Gone in the blink of an eye but captured by the release of a shutter, Stephan Tillmans ‘ photographs of Cathode Ray Tube (CRT) televisions powering down are unexpected and elegant; analog moments preserved by digital trial and error. Through tedious, button-pushing coordination on both TV and camera, Tillmans has perfected a surprisingly difficult task. It turns out photographing CRT image decay and making it look like art is as hard as it is strange. “Capturing the same picture twice is almost impossible. Timing really would have to be perfect,” says the German photographer, who is based in Berlin. “Not only does the moment the TV is switched off and the moment I take the picture matter, but also the duration of the TV being turned on. I take the pictures manually and Iʼve never shot two images alike.” To complete the images for his project, Leuchtpunktordnungen ( Luminant Point Arrays ), Tillmans set up a tent in his apartment to avoid getting dust or hair on the TV screen. His images are so precise that it’s almost impossible to retouch any stray elements after the photo has been taken. The tent also provides complete darkness and eradicates reflection. Sitting in his apartment, in his tent, between TV and camera, Tillmans would keep one hand on the TV power switch and the other on the shutter release. “I stayed like this for a couple of days, trying out different TVs and camera settings,” he says, “It can take up to 800 pictures until you get a sharp, crisp and good image.” One of the biggest hurdles was perfecting the depth of focus on the camera lens to find the exact plane on which the desired activity existed. “The TVʼs tube has a certain depth, which makes it difficult to focus on the right layer. If you set the focus of the camera to the fluorescent screen for instance, you also have to catch the light on that particular layer. But when the light is deeper in the tube you may have focused on the TVʼs shadow mask, but not on the light.” As the project progressed, Tillmans improved his timing and would use single frames instead of continuous shooting. He describes each unique arrangement of light as a “breakdown of reference.” “I press the release when the picture breaks down,” he says. “If I took the picture earlier, you would still see an image. You would see noise or even a signal. I am however interested in the moment these indications disappear and when the photo turns from referential to non-referential and from abstract to concrete.” Photos: Stephan Tillmans – – – The work of Stephan Tillmans and eight other photographers will be on show at The Goethe Institute in Washington DC, June 9th – Sept. 2nd. The exhibit Gute Aussichten: Young German Photography 2010/2011 showcases the award winning photography of German graduate students. . . . → Read More: Analog TV Quirk Made Into Art Through Tedium
By Digital Photography School, on April 5th, 2011%
 A Guest post by Saul Molloy from Shotslot . Image by Romain Ballez All the whistles and bells of the modern camera should, at least in theory, make crafting great images an easier and more straightforward process than it used to be – with all these exposure modes, focussing tools, picture styles and the like, camera manufacturers would like you to believe that it’s just a matter of squeezing the shutter and hey presto you’re Bailey. Certainly getting the tricky business of exposure right has become more straightforward for the technologically challenged – you really don’t need to know much to get some passable snapshots but what about if you want to take your photography further? Photography is so very different an activity from that of even ten years ago. Good modern photographers need to be able to do so much more than compose and frame a shot, and whilst the traditional skills required for messing around with chemicals in a darkroom are waning, a whole set of new techniques are needed if you want to develop your photography to a really high standard. Here’s what I think are five key ways to make your photography shine: 1. Know Your Software Hone your ‘developing’ skills to where you can take an image and get the very best out of it in your digital darkroom. This is a vital capability whether you want to be primarily a ‘photographer’ or an ‘image-maker’ and allows you to take greater control over your work so it’s the very best that it can be. This means choosing a solid piece of editing software and learning how to use it to its full potential. It doesn’t mean buy the most expensive thing and learn that – you have to choose something that best suits your interests and needs. Be prepared to change your mind. 2. Get the Basics Right You need to know composition, exposure and how to utilise your camera to get the most out of it. It doesn’t matter much what camera you’re using, if you don’t really know how to point it then you’re going to struggle to get anything good out of it. Know your manual and what your camera can (and can’t) do. Study and understand phenomena like depth of field, focal planes and shutter speeds. This stuff can get geeky and bit dull at times but it will help you to understand how to produce a particular effect or look when you start to frame in your mind what you want an image to look like in its final form. 3. Be Flexible It’s easy to get stuck in a rut taking the same kind of shots and processing them in the same way over and over again. Or just adopting one set of tools and failing to implement new ones as and when they become available. Developing your work means that you do need to develop the way you work. This means being conscious of issues such as workflow and how they impact on your ability to produce good images. Just like the dodo, if you fail to evolve you fail to survive in that will you fail to keep your interest in photography in general but you also need to be able to innovate and change if you’re really going to produce some impressive images. 4. Study Others’ Work Art rarely develops in isolation, the work of other people can be key in helping you to develop your style, hone your skills and increase your knowledge. Spend time every day looking at the work of others, thinking about how they created a specific look or effect and work out how you could replicate it. An important tool for the modern photographer is networking with other photographers on-line or in real life. On-line communities such as Facebook, Twitter and Flickr are a great way to get your work ‘out there’ but are an even better resource for inspiration and discussion. They even allow you to engage in collaborative projects which will boost your skills and experience substantially. In real life, you should check out your local camera club or photo-walk group. Interacting with other photographers in the flesh is a great way to learn new things and increase your engagement with photography overall, it might give you access to new shooting opportunities and equipment and will certainly challenge the way you see your own photography. 5. Practice You can read all the books, internet sites or magazine articles you like but there’s no substitute for actually picking up your camera and using it. Passion for photography comes from the feeling of having created something unique and interesting with your camera – be that a single image, a small portfolio or an entire body of work. There is just no substitute for picking your camera up and pointing it at things in earnest and ideally, you should be using your camera as a portal to show others something you yourself passionate about. Having the ability to show something you love in a new and visually exciting way onlycomes with practice and thus practice is the thing that more that anything else will make your photographs stand out from the crowd. Go do that now! See more of Saul Molloy’s work at Shotslot . Post from: Digital Photography School – Photography Tips . Check out our resources on Portrait Photography Tips , Travel Photography Tips and Understanding Digital Cameras . 5 Key Skills for the Modern Photographer . . . → Read More: 5 Key Skills for the Modern Photographer
By DPreview, on April 5th, 2011%
Nikon has unveiled the D5100 upper-entry-level DSLR and we’ve prepared a full preview of the camera, detailing its features. Sitting above the D3100, it includes a 16.2 MP CMOS sensor much like that in the D7000, 1080p movie capability and a side-articulated 921K dot 3.0″ tilt/swivel LCD. The D5100 also becomes the first Nikon DSLR to be able to apply special processing filters to stills and video. The company has also introduced the ME-1 external microphone. The camera will be available from this month as a kit with the 18-55mm VR lens for $899.95 while the microphone will retail at $179.99. We’ve had a production-spec sample of the camera, so have shot our standard test scene and some real-world samples to accompany our preview. . . . → Read More: Nikon D5100 announced and previewed
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